- CITY Weil am Rhein
- COUNTRY Germany
Well-known for its designer furniture factory in the German part of the region, Weil am Rhein is part of the imprecise belt of outer suburban Basel. This photographic studio is located in what was formerly one of the older suburbs of villas in a landscape marked by the nearby motorway, 1950s apartment blocks, small workshops and single family dwellings. While everything incited the studio to distance themselves from this catalogue of forms and ideas, some of the items inspired a solution that bore a likeness to the informal, improvised world of back gardens. A detached house with the characteristic slate roof, renovated to house the company’s administration, was the starting point for a project that opted for contrast.
The photographic studio, the main volume in this architectural ensemble, provides a perspective background for the existing villa. Together with a glazed link gallery and the wall hiding the car park, it transforms the outside space into an oblique, open courtyard. Each link of the unit plays a distinguishing role. If the administration proposes a connection with the domestic scale of the street, the studio traverses the rear of the site with a silent envelope that identifies it as a work area. The sloping roof and the trapezoidal line of the ground plan play with the deformation perspective of the volume, alluding to the activity it contains inside. A narrow bay housing the darkroom and an office lays out the new entrance. Attached to the main building, the bay produces a vertical transition towards the courtyard. Above its slanting silhouette we see the outline of three cubic skylights. Twisted on the ground plan to face north, these items, which can be closed by means of interior sliding panels, feed natural light into a space that is usually lit artificially.
The contrast with the existing villa is also based on the material definition of the new units. The concrete socle for the studio’s basement storeroom sustains the wooden structure that supports the enclosure. Echoing the construction techniques used for the adjacent sheds, the facades of this unit overlooking the adjoining sites are in asphalt paper hung vertically, juxtaposed directly with the base. Insisting on this utilitarian industrial character while seeking out more pleasant textures, the rest of the studio walls are faced in plyboard while the unit that articulates the main building with the courtyard is clad in horizontal battens of grey painted wood.
014 Frei Photographic Studio
Weil am Rhein, GermanyProject 1981Realization 1981-1982
Close to the Swiss-German border, in an area of three-storey apartment buildings of the fifties and free-standing houses of the turn of the century, a photographic studio was added to an existing two-storey house. Extending along the length of the back garden, the studio and the connecting corridor form two external spaces to the street, a car park and a garden. The east facing loggia contains offices and at its southern end forms a portico to the car park.
The pitched roof and trapezoid plan together form an internal space, with a perspective that effects and reiterates the programme’s theme. A pair of reinforced concrete beams support the roof structure and the north facing lights, recalling those of Le Corbusier at La Tourette (1957). The office wing is clad with a horizontal timber boarding. The studio’s east and south façades are clad with grained plywood boards. The west façade has bitumen sheets across the whole surface. Special hardwood corner details accentuate the pointedness of the building while covering the edges of the plywood sheets. The graphic treatment of the fence bearing the company’s name indicates an interest in the visualization of the building’s use.
Herzog & de Meuron, 1997
