Project 2005-2009Realization 2007-2010
In contrast to the densely built-up surroundings with rigidly defined shapes, the new Actelion Business Center building is an open structure comprising beam-like elements, stacked on top of one another, which change their appearance depending on the angle from which they are viewed. The spaces between the beam structures allow for visual connections inward and outward to the adjacent laboratories, nearby office buildings and sports fields. The apparently random arrangement of the office beams not only provides unusual views within and to the outside, but also generates terraces and courtyards in many different sizes and qualities for employees to work, take breaks, and gather to meet formally or informally.
The office workplaces are arranged in linear pods, exposed to a plentiful supply of daylight in the upper storeys. The modular layout and column-free areas satisfy the needs of various office typologies and differently sized offices. Meeting rooms and lounge-style areas are situated at the intersections of beams to increase inter-departmental communication within the company. Additional functions such as a restaurant, café, auditorium, service facilities and outdoor areas on the ground floor are accessible to the public.
A clearly defined development principle and a clear structural concept define and organise the layout of the office pods simplifying accessibility and orientation in what appears to be a complex space. All employees and visitors access the ground floor by a central foyer so that controlled admission to the offices on the upper floors is ensured. Four vertical access cores with stairways and lifts serve the office floors as well as offer safe escape routes in the event of fire.
Herzog & de Meuron, 2010
Located in the outskirts of Basel, the headquarters of the biopharmaceutical company Actelion rise as an apparently haphazard superposition of beam-like elements which do not reveal the functional logic of the spaces when seen from outside, in contrast to the semi-industrial surroundings of rigidly defined shapes. After that general impression, the floor plans show which points of connection among levels permit the continuity of the structure.
At the client’s request, the design had to follow the objective of favoring communication among users, and this became the main theme of the project. The floors consist of a series of bands with a distance of 6.70 meters between structural axes, with variable length and orientation, placed around a central void, intersecting near the corners and stacked up to five stories high. As crossing paths, the areas around the intersections of the beams become spaces for interaction; they accommodate the meeting zones, classrooms and lounge-style spaces equipped with small kitchens and seating areas.
The access has a cross-shaped floor plan, a sort of continuous lobby in which issues like communication and opening remain present. The reception is the center point from which the program branches out: four wings with a 120-seater auditorium, the restaurant with capacity for 230 employees and open to the interior courtyard, the cafeteria, several meeting rooms and classrooms, and other spaces whose size and configuration can adapt to different events. The glass facades allow visual contact and underscore the transparency of the building internally and externally, upwards and downwards, emphasized by the inclined walls. To achieve this sense of openness all the systems are enclosed in floors and ceilings, avoiding their presence on the walls. The apparently random arrangement of the office beams not only provides unusual views within and to the outside, but also generates terraces and courtyards in many different sizes and qualities for employees to work, take breaks and gather.
The load-bearing structure consists of steel frames, adding up to an overall length of 3.8 kilometers and a weight of around 2,500 tons. The pieces that make up the frames are K and X-shaped braces. To protect the structure from fire, the metallic structure has been rendered and painted white. In this way, the characteristic metallic elements underscore the visual lightness that sums up the building’s identity.
